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Childhood Toys

6/13/2014

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What makes the same object or place so special to someone, and so meaningless to others?

Of course, it is the associated experiences between people and otherwise unexceptional things that cause us to form attachments. I am interested today in the attachments we make between ourselves and our childhood toys.

On the second floor of our museum, in the European settler and homesteading exhibit, there are some children’s toys. Specifically, there is a bear that has caused me both laughter and fear. Its understandable wear and tear throughout the past one hundred years lends itself to a sense of neglect, though I am sure it was once well loved. What was apparently once soft, velour fur has worn off (cue: Fuzzy Wuzzy was a bear, Fuzzy Wuzzy had no hair). Its beady, opossum-like eyes, which are made from what appears to be black marbles, seem to follow me as I carry out opening and closing duties. It has become a joke that the bear, reminiscent of possessed creatures from horror-films, could follow me for brief moments while I am alone upstairs. Upon further investigation, I discovered that said “Teddy Bear” won a 1914 P.N.E. contest for its outfit, including a khaki jacket, a pair of trousers, and an olive-coloured backpack, which is more than most of us humans can boast.

I would like to apologize to that bear for my previous judgements, because I am now becoming acquainted with its equivalent in my life. I just finished my second year of university at McGill, and hadn’t intended to come home this summer, but the coffers were empty. And so, my apartment was sublet to software engineers with questionable cleanliness, and I was back here to work the summer months away. Though not in a bustling, activity-full metropolis, I cannot complain: the Sunshine Coast (especially the magnificence that is my workplace, Lower Gibsons) is no punishment. I have friends back in their hometowns for the summer, including Istanbul and Beijing, where the government won’t allow them access to Facebook or YouTube. I can’t complain. However, one side effect of being home is dealing with what I’ve left behind. This includes childhood toys.

Unearthing an old toy from a storage box is somewhat like unearthing a historical artifact. They are both old, and they both ideally hold some meaning to the viewer. As I sort through the old mementos that I am supposed to get rid of, a flood of memories comes rushing back, mixing the good and the bad. In discussions with some older people, they described the almost visceral reactions that they have to certain sounds, songs, smells, objects, and places. While they can’t remember the name of the celebrity on TV last week or the dinner they had last night, the opening notes to a song conjures up an exact location, a precise feeling, and all sorts of memories.

Last blog, I wrote that engaging with historical pieces may be a project of finding a special connection through imagination, which is similar to the selective “specialness” between a person and their childhood toy. For me, the key to acknowledging the value of the formerly creepy teddy bear (now, in my opinion, an esteemed member of the museum) was linking him/her to my own life. What kind of connections can you make between yourself and the museum?

-Emma

P.S. Our giftshop sells cards with amazing artwork by Makiko Kitama, who specializes in creating art of people's childhood toys, thus emphasizing the importance. Look at this one! It’s the teddy!



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The Power of Collaboration: Building community with the Squamish Nation

6/12/2014

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Here at the Sunshine Coast Museum, our guiding principles are to inspire curiosity, involve our community, and share our story. We strive to engage the community in long-term and meaningful ways and truly be a community resource. One area of focus over the last few years has been on community building and collaboration. In these times of increasing complexity and specialization, it’s the direction that many museums and heritage organizations are heading. The benefits include innovative and successful programming, attracting new audiences, connecting with diverse communities, and improving ways to fulfill our mandate. By sharing staff and resources, we can produce exhibits and events that would otherwise be beyond reach. And quite frankly, it’s a lot more fun working with others rather than in isolation.

A powerful example of this process has been our work with the Squamish Nation. In 2011 we opened the permanent exhibit Kwekwínmut/Pieces of the Past- Squamish Stone Artifacts from Ch’kw’elp and Shen’k. The exhibit was a culmination of over two years of work, starting with creating a much needed Aboriginal Materials Collections Policy. I then began meeting with Squamish community representatives, council members, archaeologists and curators to create partnerships. Through funding from the nation, we were able to work with a Squamish curator and an Advisory Committee to provide the context and interpretation of the pieces on display. From the oral histories and telling of the Squamish Origin legend in the Squamish language, to the bilingual labels, the exhibit provides insight into Squamish ways of knowing and connection to this land.  This hidden history went from obscurity to center stage in the museum. The stone artifacts went from being simple tools to being windows into the past that allow us to gain a deeper understanding of Squamish culture. Visiting Squamish leaders, dignitaries, and Elders all spoke of no longer being invisible in their own territory, of coming home, and of their connection to this place. It was profoundly moving to be a part of this and was definitely a highlight in both my personal and professional life.

Last spring, we formed a partnership with the Squamish Lil’wat Cultural Centre in Whistler and began a year-long exhibit exchange - they borrowed our Kwekwínmut/Pieces of the Past exhibit in exchange for the exhibit Chátwilh: The Craft and Culture of the Squamish Canoe. Chief Ian Campbell graciously accepted the invitation to the opening of the exhibit last summer and spoke with eloquence about the interconnectedness of the canoe, the culture, and the importance of respecting and protecting the water and land for generations to come.  Over the past year, we’ve had approximately 3,000 visitors and 144 Museum School students come through and engage with the exhibit!

The centre piece is the canoe called Stelkaya or “Striking Wolf”. Its chátwilh (canoe carver), Sessiyám (Ray Natraoro), is a member of the Wolf clan. A modern master of the ancient Squamish craft, Sessiyám carved this vessel from a single piece of ancient red cedar as a wedding gift for his wife. Carved over a period of two months in 2009, this hunting canoe, measures 8.5 meters (28 ft) long, 138 centimeters (54.5 in) across the beam, and weighs approximately 227 kilograms (500 lbs). It has traveled throughout the Salish Sea and taken part in two Tribal Canoe Journeys.  

On the morning of Saturday, May 3rd, the canoe was launched from Gibsons harbor on a journey back to Mosquito Creek in North Vancouver where it will be used in preparation for its third Tribal Canoe Journey to Bella Bella this summer. For the first leg of this trip, skipper (and carver) Ray Natraoro, 4 members of his canoe family, and members of the Gibsons Paddle Club, took it on the three hour journey to Horseshoe Bay. They were met by a contingency of Cultural Ambassadors from the Squamish Lil’wat Cultural Centre, who joined in for the second leg of the trip to Mosquito Creek on the north shore.

The return of the canoe was an incredible example of community collaboration. Many people, from all walks of life, were involved in making the event come together so seamlessly. Thank you to the many organizations and individuals  involved;  to Chief Ian Campbell for curating the original exhibit; to Sarah Goodwin and Julie Baker from the Squamish Lil’wat Cultural Centre for the invitation to do the exhibit exchange; and to Wes Nahanee for taking the lead and embodying  the role of cultural educator so graciously.

The canoe journey was an inclusive, humor-filled, and meaningful experience that brought people together and brought the canoe alive. It was an honour for me to be a part of this and exemplifies a valuable lesson in today’s world: great things happen when people work together.

- Kimiko



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